The flâneur, the detective, and the comedian are precursors of the practitioners of the online cleverness that has become such a nuisance today. The Internet is a spaceless airport. Like passengers in an airport, its users are fundamentally idlers. They occupy themselves with browsing—both the objects available for consumption and their fellow consumers. They are placed in a similar but even more extreme position of impotent omnipotence. The world is at their feet, but they cannot really act in it except to pose and acquire. At the same time, the Internet enables control of people’s movements and desires in a way the airport could only dream of. All this naturally prompts a desire to wrest back some semblance of control.